Don Rendell New Jazz Quintet | Roarin’ | Jazzland JLP 51 | UK | 10.61 | |
Don Rendell New Jazz Quintet | Roarin’ | Jazzland JLP 51 | US | 00.61 | |
Don Rendell New Jazz Quintet | Roarin’ | Jazzland JLP 951S | US | 00.61 | |
Don Rendell New Jazz Quintet | Roarin’ | CO | Jazzland JLP 951S | JAP | 31.12.99 |
Don Rendell New Jazz Quintet | Roarin’ | CD | BGP CDBGPM 166 | UK | 29.11.04 |
SIDE A: "Bring Back The Burch" (Graham Bond), "Manumission" (John Burch),"Blue Monk" (Thelonius Monk) | |||||
SIDE B: "Jeannine" ( Duke Pearson), "You Loomed Out Of Loch Ness" (Don Rendell), "So What" (Miles Davis), "The Hunt" (John Burch) | |||||
Recorded by Don Rendell (tenor sax), Graham Bond (alto sax), John Burch (piano), Tony Archer (bass) and Phil Kinorra (drums) at Star Sound Studios, Rodmarton Mews, Blandford Street, London June 17
and August 29 1961. Engineered by chief of Star Sound Studios and produced by Ed Michel. | |||||
* June 17 1961 session: ”Bring Back The Burch” (unreleased),”Manumission” (unreleased), ”Blue Monk”, ”Jeannine”, ”You Loomed Out Of Loch Ness”, ”So What” and ”The Hunt” | |||||
* August 29 1961 session: ”Bring Back The Burch” (4 takes) and ”Manumission” (2 takes) | |||||
* Compared with the sleeve, the UK B-side label is a bit re-arranged; instead of track 2 you’ll find track 4 and otherwise | |||||
* Sleevenotes on US issue slightly re-arranged | |||||
* UK mono issue > black label | |||||
* US mono issue > orange label | |||||
* US mono PROMO issue > white label | |||||
* US stereo issue > black label | |||||
* Although UK stereo test pressings exists, it’s however an open question if ever released commercially... | |||||
The Graham Bond Organisation | The Sound Of ´65 | Columbia 33SCX 1711 | UK | 26.02.65 | |
The Graham Bond Organisation | The Sound Of ´65 | RE | Columbia 33SCX 1711 | UK | 00.70 |
The Graham Bond Organisation | The Sound Of ´65 | CO | BSF 65 40 131 - 01 | CAN? | 12.85 |
The Graham Bond Organisation | The Sound Of ´65/ There´s A Bond Between Us | RE | Edsel DED 254 | UK | 03.88 |
The Graham Bond Organisation | The Sound Of ´65 | CO | Columbia 33SX 1711 | ITA? | 00.97 |
The Graham Bond Organisation | The Sound Of ´65/ There´s A Bond Between Us | CD, CO | Rock-In-Beat RB 060 | GER | 00.99 |
The Graham Bond Organisation | The Sound Of ´65/ There´s A Bond Between Us | CD | BGO 500 | UK | 25.01.00 |
The Graham Bond Organisation | The Sound Of ´65 | CO | Sweet Dandelion SWDDL 710 | 05.11.07 | |
SIDE A: "Hoochie Coochie Man" (Willie Dixon), "Baby Make Love To Me" (Group/Janet Godfrey), "Neighbour Neighbour" (Alton/J. Valler), "Early In The Morning" (Trad.arr. Group), "Spanish Blues" (Group), "Oh Baby (Group), "Little Girl" (Group) | |||||
SIDE B: "I Want You" (Group), "Wade In The Water" (Trad.arr. Group), "Got My Mojo Working" (McKinley Morganfield),"Traintime" (Group), "Baby Be Good To Me" (Group/Janet Godfrey), "Half A Man"(Group), "Tammy" (Jay Evan/Ray Livingston) | |||||
Recorded by Graham Bond (organ, alto sax, vocals), Jack Bruce (bass, vocals), Ginger Baker (drums) and Dick Heckstall-Smith (tenor sax) at Olympic Sound Studios, Carton Hall, Carton Street,
London December 16 & 19 1964, January 4 & 5 and February 4 1965. John Hockridge and Ian Hamer (trumpets) added on "I Want You" and "Tammy". Unknown female backing singers added to "Tammy" and "Half A Man." Engineered by Keith Grant and produced by Robert Stigwood. | |||||
* December 16 1964 session "Half A Man" (2 takes) & "What Am I Living For" (6 takes) (unreleased) | |||||
* December 19 1964 session "Neighbour Neighbour" (3 takes) | |||||
* January 4 1965 session "Spanish Blues" (1 take), "Tammy" (7 takes), "I Want You" (1 take), "Wade In The Water" (1 take) and "Don´t Know" (1 take) (unreleased) | |||||
* January 5 1965 session "Early In The Morning" (3 takes), "Baby Make Love To Me" (4 takes), "Baby Be Good To Me" (3 takes) and "Got My Mojo Working" (3 takes) | |||||
* February 4 1965 session "Train Time" (4 takes), "Little Girl" (1 take), "Oh Baby" (2 takes) and "Hoochie Coochie Man" (4 takes) | |||||
* Alternative takes of "Tammy" and "Hoochie Coochie Man" still exist. | |||||
* Sleeve design by Ginger Baker. His front cover painting is otherwise part of a larger work. | |||||
* Original Columbia release sports black and blue labels. 2nd issue grey and black. Only the 2nd issue credits Chris Welch for sleevenotes. | |||||
* The two counterfeits copies bare more or less the original sleeves, although labels differs a bit. | |||||
The Graham Bond Organisation | There´s A Bond Between Us | Columbia 33SX 1750 | UK | 10.12.65 | |
The Graham Bond Organisation | There´s A Bond Between US | RE | Columbia 33SX 1750 | UK | 00.70 |
The Graham Bond Organisation | There´s A Bond Between Us | CO | BSF 75 40 132 - 02 | CAN? | 12.85 |
The Graham Bond Organisation | The Sound Of ´65/ There´s A Bond Between Us | RE | Edsel DED 254 | UK | 03.88 |
The Graham Bond Organisation | There´s A Bond Between Us | CO | Columbia 33SX 1750 | ITA? | 00.97 |
The Graham Bond Organisation | The Sound Of ´65/ There´s A Bond Between Us | CO, CD | Rock-In-Beat RB 060 | GER | 00.99 |
The Graham Bond Organisation | The Sound Of ´65/ There´s A Bond Between Us | CD | BGO 500 | UK | 25.01.00 |
The Graham Bond Organisation | There´s A Bond Between Us | CO | Sweet Dandelion SWDDL 711 | 05.11.07 | |
SIDE A: "Who´s Afraid Of Virginia Woolf" (Kevin Knox/Don Kirkpatrick),"Hear Me Calling Your Name" (Jack Bruce), "The Night Time Is The Right Time" (Herman), "Walkin' In The Park" (Graham Bond), "Last Night" (CharlesAxton/Jerry Lee Smith/Herb Newman), "Baby Can It Be True?" (Graham Bond) | |||||
SIDE B: "What´d I Say?" (Ray Charles), "Dick's Instrumental" (Dick Heckstall-Smith), "Don´t Let Go" (the Markeys), "Keep A`Drivin' " (Chuck Willis), "Have You Ever Loved A Woman?" (Billy Myles), "Camels And Elephants" (Ginger Baker) | |||||
Recorded by Graham Bond (organ, Mellotron, alto sax, vocals), Jack Bruce (bass, vocals), Ginger Baker (drums, vocals) and Dick Heckstall-Smith (tenor sax) at Olympic Sound Studios, Carton Hall, Carton Street, London, December 16, 1964, June 30 and July 1 1965. | |||||
Engineered by Keith Grant and produced by Robert Stigwood. Unknown female backing singers added to "Keep A ‘Drivin.’" | |||||
* December 16 1964 session "Keep A ’Drivin’" (6 takes) | |||||
* June 30 1965 session: "Walking In The Park" (3 takes), "Don’t Let Go" (3 takes), "Lease On Love" (8 takes) (unreleased), "My Heart’s In Little Pieces" (2 takes) and "Passing Strangers" (10 takes) (unreleased) | |||||
* July 1 1965 session: "Who’s Afraid Of Virginia Woolf" (7 takes), "Hear Me Calling Your Name" (7 takes), "Last Night" (3 takes), "Baby Can It Be True" (1 take), "Dick’s Instrumental" (3 takes), "Camels And Elephants" (2 takes), "Cold Rain" (4 takes) (unreleased), "Positiv" aka "HHCK Blues" (4 takes) (unreleased) and "Lease On Love" (3 takes) | |||||
* "The Night Time Is The Right Time", "What´d I Say" and "Have You Ever Loved A Woman" probably recorded on June 30 session. | |||||
* Alternative takes of "Dick’s Instrumental", "Who’s Afraid Of Virginia Woolf" and "Camels And Elephants" still exists | |||||
* Sleeve design by Ginger Baker | |||||
* Original Columbia release sports black and blue labels, 2nd issue grey and black | |||||
* The two counterfeits bare more or less original sleeves, although labels differs a bit. | |||||
Grahame Bond | Love Is The Law | Pulsar AR 10604 | US | 00.69 | |
Grahame Bond | Love Is The Law | CD, CO | Sunrise SR 40101012 | EU | 05.04 |
SIDE A: "Love Is The Law", "Moving Towards The Ligh", "Our Love Will Come Shining Through", "I Couldn`t Stand It Anymore", "Sun Dance" | |||||
SIDE B: "Crossroads Of Time", "Bad News Blues, Strange Times, Sad Times", "The Naz", "The World Will Soon Be Free." | |||||
Recorded by Graham Bond (organ, Mellotron, alto sax and vocals) and Hal Blaine (drums). | |||||
Probably recorded at TTG Studios, 1441 North McCadden Street, Hollywood, USA. | |||||
* All songs written by Billy Gamble aka Graham Bond | |||||
* Also released as a PROMO issue with yellow labels | |||||
* An e is added to Graham´s name for this release | |||||
* The CD has added GBO 45’s as a bonus. | |||||
Grahame Bond | Mighty Grahame Bond | Pulsar AR 10606 | US | 00.69 | |
Grahame Bond | Mighty Grahame Bond | CD, CO | Sunrise SR 40101022 | EU | 05.04 |
SIDE A: "Water, Water", "Oh Shining One" "Pictures In The Fire","Baroque", "Sisters And Brothers." | |||||
SIDE B: "Stiffnecked Chicken", "Freaky Beak", "Walk Onto Me", "Magic Mojo", "Brothers And Sisters." | |||||
Recorded by Graham Bond (organ, Mellotron, alto sax, vocals), Harvey Mandel (guitar), Max Bennett (bass) and Eddie Hoh (drums), except for "Pictures In The Fire" which was recorded by Graham Bond, Frank Mayes (sax) and Drachen Theaker (drums). | |||||
Probably recorded at TTG Studios, 1441 North McCadden Street, Hollywood, USA. | |||||
* All songs written by Billy Gamble aka Graham Bond | |||||
* Also released as a PROMO issue with white labels | |||||
* An e is added to Graham´s name for this release. | |||||
* The CD has added GBO 45’s and rarities as a bonus. | |||||
Ginger Baker’s Airforce | Ginger Baker´s Airforce | Polydor 2662 001 | UK | 05.05.70 | |
Ginger Baker’s Airforce | Airforce Parts 1 & 2 | 2MC | Polydor 3170 013 | UK | 00.70 |
Ginger Baker’s Airforce | Ginger Baker´s Airforce | Atco 2-703 | US | 20.03.70 | |
Ginger Baker’s Airforce | Ginger Baker´s Airforce | 2 x 8 track | Atco J 8703 | US | 00.70 |
Ginger Baker’s Airforce | Ginger Baker´s Airforce | RTR Atco J 703 | US | 00.70 | |
Ginger Baker’s Airforce | Ginger Baker’s Airforce | Polydor MP 9341/42 | JAP | 08.70 | |
Ginger Baker’s Airforce | Ginger Baker´s Airforce | Polydor 2662 001 | CAN | 00.70 | |
Ginger Baker’s Airforce | Ginger Baker´s Airforce | Polydor 2383 012/13 | GER | 00.70 | |
Ginger Baker’s Airforce | Ginger Baker´s Airforce | Polydor 2383 012/13 | FRA | 00.70 | |
Ginger Baker’s Airforce | Ginger Baker´s Airforce | Polydor 2662 001 | NOR | 04.70 | |
Ginger Baker’s Airforce | Ginger Baker´s Airforce | Polydor 2383 012 | NZ | 00.70 | |
Ginger Baker’s Airforce | Ginger Baker´s Airforce | RE | RSO MWU 9717/8 | JAP | 11.80 |
Ginger Baker’s Airforce | Ginger Baker‘s Airforce | CD | Polydor 837 349 2 | US | 21.01.89 |
Ginger Baker’s Airforce | Ginger Baker’s Airforce | CD | Polydor P25P 25098 | JAP | |
Ginger Baker | Do What You Like | 2CD | Polygram 314 5585422 | US | 07.07.98 |
Ginger Baker’s Airforce | Ginger Baker‘s Airforce | CD | Lemon CDLEM 22 | UK | 16.02.04 |
SIDE A: "Da Da Man" (Harold McNair), "Early In The Morning" (Trad.arr. Ginger Baker) | |||||
SIDE B: "Don`t Care" (Ginger Baker/Steve Winwood), "Toad" (Ginger Baker) | |||||
SIDE C: "Aiko Biaye" (Remi Kabaka), "Man Of Constant Sorrow" (Trad.arr. Denny Laine) | |||||
SIDE D: "Do What You Like" (Ginger Baker), "Doin` It"(Ginger Baker/Rick Grech) | |||||
Recorded live at the Royal Albert Hall, Kensington Gore, London January 15 1970 by Ginger Baker (drums), Steve Winwood (organ, vocals), Denny Laine (guitar, vocals), Rick Grech (bass, violin), Phil Seaman (drums), Remi Kabaka (percussion), Jeanette Jacobs (vocals), Chris Wood (tenor sax, flute), Graham Bond (alto sax) and Harold McNair (tenor sax, flute). | |||||
* Originally tracklist were "Man Of Constant Sorrow", "We Free Kings", "Toad", "Da Da Man” , 40,000 Headmen", "Do What You Like" and "Aiko Biaye", but altered before release. | |||||
* An edited version of "Doin´ It" appeared as a "plug" for the album as it it was to be found on the flip side of the "Man Of Constant Sorrow" single. | |||||
* US issue (Atco 2-703) also released in mono, but only as a PROMO issue. | |||||
* The US Polydor CD release (837 349-2) excludes "Doin´ It." | |||||
* The Ginger Baker 2CD compilation "Do What You Like" includes the whole 2 LP. | |||||
* Norwegian issue released with German sleeve. | |||||
Graham Bond | Solid Bond | g/f | WB WS 3001 | UK | 29.05.70 |
Graham Bond | Solid Bond | 2 x MC | WB ZCWD 3001 | UK | 00.70 |
Graham Bond | Solid Bond | 2 x 8 track | WB Y8WD 3001 | UK | 00.70 |
Graham Bond | Solid Bond | g/f | WB 2LS 2555 | US | 00.70 |
Graham Bond | Solid Bond | 2 x MC | WB CWJ 2555 | US | 00.70 |
Graham Bond | Solid Bond | 2 x 8 track | WB 8WJ 2555 | US | 00.70 |
Graham Bond | Solid Bond | g/f | WB WD 2555 | GER | 00.70 |
Graham Bond | Solid Bond | g/f | WB WBC 1124B | SAF | 00.70 |
Graham Bond | Solid Bond | g/f | WB 2555 | CAN | 00.70 |
Graham Bond | Solid Bond | g/f | WBS 2555 | NZ | 00.70 |
Graham Bond | Solid Bond | g/f | WB LS 2555 | ITA | 00.71 |
Graham Bond | Solid Bond | RE, g/f | WB K 66004 | UK | 00.72 |
Graham Bond | Solid Bond | RE, g/f | WB MIDI MID 66 031 | GER | 00.74 |
Graham Bond | Solid Bond | g/f | Music Hall 6014332/3 | ARG | 00.77 |
Graham Bond | Solid Bond | 2 x MC | Music Hall 3812/3 | ARG | 00.77 |
Graham Bond | Solid Bond | CO, g/f | WB 2LS 2555 | ITA? | 00.92 |
Graham Bond | Solid Bond | CD CO | Sunrise SR 40101042 | EU | 05.04 |
Graham Bond | Solid Bond | CD | Rhino 8122-79906-5 | EU | 04.08.08 |
Graham Bond | Solid Bond | CD | Collectors’ Choice Music CCM 2000 | US | 17.02.09 |
SIDE A: "Green Onions" (Booker T. Jones/Steve Cropper/Al Jackson/Lewis Steinberg),"Springtime In The City" (Graham Bond), "Can´t Stand It" (Graham Bond) | |||||
SIDE B: "Only Sixteen" (Graham Bond), "Last Night" (Axton/Smith/Newman), "Long Legged Baby" (Graham Bond), "Walking In The Park" (Graham Bond) | |||||
SIDE C: "It´s Not Goodbye" (Graham Bond), "Neighbour Neighbour" (Graham Bond), "Ho Ho Country Kicking Blues" (Jack Bruce) | |||||
SIDE D: "The Grass Is Greener" (Graham Bond/John McLaughlin), "Doxy" (Sonny Rollins). | |||||
"Ho Ho Country Kicking Blues", "The Grass Is Greener" and "Doxy" recorded live at Klooks Kleek, 100 West End Lane, London, England June 26 1963 by Graham Bond (alto sax), John McLaughlin (guitar), Jack Bruce (double bass) and Ginger Baker (drums). | |||||
"Green Onions", "Springtime in the City", "Can´t Stand It", "Only Sixteen", "Last Night", "Long Legged Baby", "Walking In The Park", "It´s Not Goodbye" and "Neighbour Neighbour" recorded by Graham Bond (organ, piano, alto sax, vocals), Dick Heckstall-Smith (soprano and tenor sax) and Jon Hiseman (drums) at Olympic Sound Studios, 117 Church Road, London probably late October 1966. | |||||
Engineered by Eddie Kramer and produced by Jon Hiseman. | |||||
* The UK reissue doesn`t really exist as copies of WB 3001 were only re-promoted with a K 66004 sticker on the rear side of the sleeve. | |||||
* "Springtime In The City" on the UK pressing has a fade, should have been done on the other pressings as well... | |||||
* Canadian issue released with US sleeve. | |||||
* Argentina issue sports all text in Spanish! | |||||
* The Sunrise CD has added GBO 45’s as an extra bonus. | |||||
Ginger Baker´s Airforce | Airforce 2 | g/f | Polydor 2383 029 | UK | 18.12.70 |
Ginger Baker´s Airforce | Airforce 2 | g/f | Atco SD 33 343 | US | 00.70 |
Ginger Baker´s Airforce | Airforce 2 | 8 track | Atco M-8343 | US | 00.70 |
Ginger Naker´s Airforce | Airforce 2 | g/f ? | Polydor 2383 029 | CAN | 00.70 |
Ginger Baker´s Airforce | Airforce 2 | g/f | Polydor 2383 029 | NOR | 00.70 |
Ginger Naker´s Airforce | Airforce 2 | g/f ? | Polydor 2383 029 | ITA | 00.70 |
Ginger Baker´s Airforce | Airforce 2 | Polydor 2383 039 | ISR | 00.70 | |
Ginger Baker´s Airforce | Airforce 2 | g/f | Polydor MP 2149 | JAP | 00.70 |
Ginger Baker´s Airforce | Airforce 2 | RE | RSO 2428 702 | GER | 00.72 |
Ginger Baker´s Airforce | Airforce 2 | MC | RSO 3128 702 | GER | 00.72 |
Ginger Baker´s Airforce | Airforce 2 | RE | RSO MWX 4043 | JAP | |
Ginger Baker | Do What You Like | 2CD | Polygram 314 5585422 | US | 07.07.98 |
SIDE A: "Let Me Ride" (Roebuck Staples), "Sweet Wine" (Ginger Baker/Janet Godfrey), "Do U No Hu Yor Phrenz R?"(Ginger Baker), "We Free Kings" (Ginger Baker) (2nd version) | |||||
SIDE B: "I Don`t Want To Go On Without You" (Bert Berns/Jerry Wexler), "Toady" (Ginger Baker), "12 Gates To The City "(Graham Bond) | |||||
"Let Me Ride", "Sweet Wine" and "I Don´t Want To Go On Without You" recorded at Trident Studios, Trident House, 17 St. Anne´s Court, London in May 1970 by Ginger Baker (Drums, tympani, tubular bells, African drums), Neemoi Acquaye (African drums, percussion), Rocki Dzidzornu (percussion), Denny Laine (guitars, vocals), Ken Craddock (piano, organ, guitar, vocals), Rick Grech (bass), Steve Gregory (tenor sax, flute), Graham Bond (alto sax, organ, piano, vocals), Bud Beadle (alto, baritone & soprano saxes), Harold McNair (alto sax, flute, alto flute), Aliki Ashman (vocals), Diane Stewart (vocals) and Catherine James (vocals). | |||||
Engineered by Roy Thomas Baker and produced by Ginger Baker, Rick Grech, Denny Laine and Graham Bond. | |||||
"12 Gates To The City" recorded at Olympic Sound Studios, 117 Church Road, London in September 1970 by Ginger Baker (Drums, tympani, tubular bells, African drums), Neemoi Acquaye (African drums, percussion), Rocki Dzidzornu (percussion), Ken Craddock (piano, organ, guitar, vocals), Steve Gregory (tenor sax, flute), Graham Bond (alto sax, organ, piano, vocals), Bud Beadle (alto, baritone & soprano saxes), Aliki Ashman (vocals) and Diane Stewart (vocals). Engineered by George Chkiantz and produced by Ginger Baker. | |||||
"Do U No Hu Yor Phrenz R?", "We Free Kings" (2nd version) and "Toady" recorded at Trident Studios, Trident House, 17 St. Anne´s Court, London in October 1970 by Ginger Baker (Drums, tympani, tubular bells, African drums), Neemoi Acquaye (African drums, percussion), Ken Craddock (piano, organ, guitar, vocals), Colin Gibson (bass), Steve Gregory (tenor sax, flute), Graham Bond (alto sax, organ, piano, vocals), Bud Beadle (alto, baritone & soprano saxes), Aliki Ashman (vocals) and Diane Stewart (vocals). Engineered by Roy Thomas Baker and produced by Ginger Baker. | |||||
* Insert included on most issues. | |||||
* The Ginger Baker 2CD compilation "Do What You Like" include the whole album. | |||||
* US issue (Atco SD 33 343) also released in mono, but only as a promo issue. | |||||
Ginger Baker´s Airforce | Airforce 2 | g/f | Polydor 2383 029 | NOR | 00.70 |
Ginger Baker´s Airforce | Airforce 2 | Polydor 2383 029 | GER | 00.70 | |
Ginger Baker´s Airforce | Airforce 2 | MC | Polydor 3170 029 | GER | 00.70 |
Ginger Baker´s Airforce | Airforce 2 | g/f | Polydor 2383 029 | AUS | 00.70 |
Ginger Baker´s Airforce | Airforce 2 | Polydor 2486 015 | NZ | 00.70 | |
Ginger Baker´s Airforce | Airforce 2 | Polydor 2383 029 | GER EXPORT? | 00.70 | |
Ginger Baker´s Airforce | Airforce 2 | MC | Polydor 3170 029 | GER EXPORT? | 00.70 |
SIDE A: "We Free Kings" (Ginger Baker) (1st version), "Caribbean Soup" (Harold McNair), "Sunshine Of Your Love" (Jack Bruce/Pete Brown/Eric Clapton), "You Wouldn´t Believe It" (Ginger Baker/Denny Laine) | |||||
SIDE B: "You Look Like You Could Use A Rest" (Rick Grech), "Sweet Wine"(Ginger Baker/Janet Godfrey), "I Don`t Want To Go On Without You" (Bert Berns/Jerry Wrexler), "Let Me Ride" (Graham Bond) | |||||
Recorded at Trident Studios, Trident House, 17 St. Anne´s Court, London in May 1970 by Ginger Baker (Drums, tympani, tubular bells,African drums), Neemoi Acquaye (African drums, percussion), Rocki Dzidzornu (percussion), Denny Laine (guitars, vocals), Ken Craddock (piano, organ, guitar, vocals), Rick Grech (bass), Steve Gregory (tenor sax, flute), Graham Bond (alto sax, organ, piano, vocals), Bud Beadle (alto, baritone & soprano saxes), Harold McNair (alto sax, flute, alto flute), Aliki Ashman (vocals), Diane Stewart (vocals) and Catherine James (vocals). | |||||
Engineered by Roy Thomas Baker and produced by Ginger Baker, Rick Grech, Denny Laine and Graham Bond. | |||||
* This is an alternative version of the album - only released in Norway, Germany, Australia and New Zealand. | |||||
* "Let Me Ride", "Sweet Wine" and "I Don`t Want To Go On Without You" is kept from the “original” album and several tracks from the same May 1970 session is added: "Caribbean Soup", "Sunshine Of Your Love", "You Wouldn´t Believe It" and "You Look Like You Could Use A Rest.” | |||||
* "We Free Kings" is otherwise substituted with an an earlier take as well! | |||||
Graham Bond | Holy Magick | g/f | Vertigo 6360021 | UK | 18.12.70? |
Graham Bond | Holy Magick | MC | Vertigo 7138024 | UK | 00.70 |
Graham Bond | Holy Magick | g/f | Mercury SR 61327 | US | 00.70 |
Graham Bond | Holy Magick | MC | Mercury MCDR 461327 | US | 00.70 |
Graham Bond | Holy Magick | 8 track | Mercury MC 861327 | US | 00.70 |
Graham Bond | Holy Magick | g/f | Vertigo 6360021 | GER | 00.70 |
Graham Bond | Holy Magick | g/f ? | Vertigo 6360021 | AUS | 00.70 |
Graham Bond | Holy Magick | g/f | Vertigo 6360021 | NZ | 00.70 |
Graham Bond | Holy Magick | RE, g/f | BGO LP 35 | UK | 9.88 |
Graham Bond | Holy Magick | CD | Repertoire RR 4106 WP | GER | 00.90 |
Graham Bond | Holy Magick/We Put Our Magick On You | CD | BGO 483 | UK | 25.01.00 |
Graham Bond | Holy Magick | CD | Repertoire REP 5063 | GER | 04.12.06 |
Graham Bond | Holy Magick | CD | Universal UICY 93268 | JAP | 25.07.07 |
SIDE A: "Meditation Aumgn", "The Qabalistic Cross", "The Word Of The Aeon", "Invocation To The Light", "The Pentagram Ritual", "Qabalistic Cross", "Hymn Of Praise", "Twelve Gates To The City", "The Holy Words Iao (These Are The Words)", "Aquarius Mantra (in Egyptian)", "Enochian (Atlantean) Call", "Abrahadabra The Word of Aeo", "Praise City Of Light", "The Qabalistic Cross Aumgn" (Graham Bond) | |||||
SIDE B: "Return Of Arthur " (Graham Bond), "The Magician" (Graham Bond), "The Judgement" (Diane Stewart), "My Archangel MIKAEL" (Diane Stewart). | |||||
Recorded by Graham Bond (organ, acoustic and electric alto sax, piano, vocals), Keith Bailey (drums), Godfrey McLean (drums), Kevin Stacey (guitar), John Morsehead (guitar), Diane Stewart (vocals, gong), Rick Grech (bass), Alex Dmochowski (bass), Victor Brox (vocals, electric piano, piano, tibetan dhong, pocket cornet, euphonium), Big Pete Bailey (percussion), John Gross (tenor sax), Aliki Ashman (vocals) and Jerry Salisbury (cornet). | |||||
Side A and Side B track 4 recorded during spring 1970 by a late version of the Graham Bond Initiation. Rest of album recorded July 1970. | |||||
* Working title for the album was "Reunion." | |||||
* The 2006 CD has added the ”Twelve Gates To The City” / ”Water Water” single as a bonus. | |||||
Graham Bond with Magick | We Put Our Magick On You | g/f | Vertigo 6360042 | UK | 20.08.71 |
Graham Bond with Magick | We Put Our Magick On You | g/f | Mercury SRM 1612 | US | 00.71 |
Graham Bond with Magick | We Put Our Magick On You | 8 track | Mercury MC 81612 | US | 00.71 |
Graham Bond with Magick | We Put Our Magick On You | g/f | Mercury SRM 1612 | CAN | 00.71 |
Graham Bond with Magick | We Put Our Magick On You | g/f | Vertigo 6360042 | GER | 00.71 |
Graham Bond with Magick | We Put Our Magick On You | g/f? | Vertigo 6360042 | AUS | 00.71 |
Graham Bond with Magick | We Put Our Magick On You | Vertigo 6360042 | ISR | 00.71 | |
Graham Bond with Magick | We Put Our Magick On You | RE, g/f | BGO LP 73 | UK | 10.89 |
Graham Bond | Holy Magick/We Put Our Magick On You | CD | BGO 483 | UK | 25.01.00 |
Graham Bond with Magick | We Put Our Magick On You | CD | Repertoire RR4107P | GER | 00.90 |
SIDE A: "Forbidden Fruit/Part 1" (Diane Stewart/Graham Bond), "Moving Toward The Light" (Diane Stewart/Graham Bond), "Ajama" (Gaspar Lawall), "Druid" (Graham Bond) | |||||
SIDE B: "I Put My Magick On You" (Diane Stewart/Graham Bond),"Time To Die" (John Weathers/Graham Williams), "Hail, Ra-Harakhite" (Diane Stewart), "Forbidden Fruit/Part 2" (Diane Stewart/Graham Bond) | |||||
Recorded May through July 1971 at Philips Studios, Stanhope Place, London by Graham Bond (organ, piano, alto sax, vocals), Diane Stewart (percussion, vocals), Graham Hedley Williams (guitar), John “Pugwash” Weathers (drums), Terry Poole (acoustic guitar, bass, vocals), Steve Gregory (tenor sax, flute) and Gaspar Lawall (percussion, vocals). | |||||
Produced by Graham Bond. | |||||
Jack Bruce | BBC In Concert | CD | Windsong WINCD 076 | UK | 00.07.95 |
Jack Bruce | BBC In Concert | CD | Strange Fruit SFRSCD 067 | UK | 20.07.98 |
Jack Bruce | Spirit - Live At The BBC 1971 - 1978 | 3CD | Polydor 5305568 | UK | 31.03.08 |
Includes "You Burned The Tables On Me", "Folk Song", "A Letter Of Thanks", "Smiles And Grins", "We`re Going Wrong", "The Clearout", "Have You Ever Loved A Woman", "Powerhouse Sod" and "You Sure Look Good To Me." | |||||
All songs by Jack Bruce/Pete Brown, except for "We’re Going Wrong" and "You Sure Look Good To Me" (Jack Bruce) and "Have You Ever Loved A Woman" (Billy Myles). | |||||
Recorded by the BBC at The Hippodrome, North End Road, London Thursday August 19 1971 by Jack Bruce (bass, piano, vocals), Graham Bond (organ, piano, alto sax, vocals), Chris Spedding (guitars), John Marshall (drums) and Art Themen (tenor sax). Originally broadcasted in Radio 1´s ”In Concert” Sunday August 29 1971. | |||||
Produced by Jeff Griffin. | |||||
* Concert also pressed as BBC transcript disc (BBC Transcription Service CN1483/S) for foreign use. | |||||
* Presentation and in between chat from original concert unfortunately edited out. | |||||
* The Windsong & Strange Fruit CD´s claims the show was recorded in 1977. | |||||
* Graham gets the writing credits for "Have You Ever Loved A Woman." | |||||
* Concert included as part of the 3CD ”Spirit - Live At The BBC 1971 - 1978.” | |||||
Sonny Boy Williamson/Animals & Graham Bond Organisation | Rock Generation Vol. 3 | BYG 529 703 | FRA | 21.01.72 | |
Graham Bond Organisation & Sonny Boy Williamson/Animals | Rock Generation Vol. 4 | BYG 529 704 | FRA | 21.01.72 | |
Graham Bond | Faces And Places Vol. 4 | BYG 529 904 | FRA | 19.01.73 | |
Graham Bond | Faces And Places | Direction DFP 20003 | NZ | ||
Jack Bruce with Graham Bond + Ginger Baker | Jack Bruce with Graham Bond + Ginger Baker | 8 Track | Gambit 820 | US | |
Graham Bond Organisation | The Beginning Of Jazz-Rock | Charly CR 300017 | UK | 01.77 | |
Graham Bond Organisation | At the Beginning | Bellaphon CR 3060 | GER | 00.77 | |
Graham Bond Organisation | The Beginning Of Jazz-Rock | Oxford OX 3138 | ITA | 00.79 | |
Graham Bond Organisation | Graham Bond Organisation | Charly CR 30198 | UK | 00.80 | |
Graham Bond Organisation | The Beginning Of Jazz-Rock | Charly K22P386 | JAP | 00.83 | |
Graham Bond Organisation | Live At Klooks Kleek | Decal LIK 47 | UK | 00.88 | |
Soft Machine & Graham Bond Organisation | Soft Machine & Graham Bond Organisation | CD | Century 29ED 6026 | JAP | 06.89 |
Graham Bond Organisation | Live At Klooks Kleek | CD | Decal 214 | UK | 00.90 |
Graham Bond Organisation | Live At Klooks Kleek | CD | Charly CDGR 195 | UK | 00.97 |
Sonny Boy Williamson/Animals & Graham Bond Organisation | Rock Generation Vol. 3 | CD | Spalax SPA 14552 | FRA | 21.07.97 |
Graham Bond Organisation & Sonny Boy Williamson/Animals | Rock Generation Vol. 4 | CD | Spalax SPA 14553 | FRA | 21.07.97 |
Graham Bond Organisation | Person To Person Blues | CD | Metro 431 | UK | 11.00 |
Graham Bond Organisation | Les Genies Du Rock | CD | Editions Atlas RK CD 486 | FRA | |
Graham Bond Organisation | Live At Klook’s Kleek Club In London 1964 | Get Back GET 609 | ITA | ||
Graham Bond Organisation | One Night At Klook’s Kleek | CD | Brook 1038 | GER | 00.06 |
Graham Bond Organisation | I Met The Blues At Klook’s Kleek | CD | Music Avenue 250175 | BEL | 04.06.07 |
SIDE A: "Wade In The Water" (Trad. Arr. Group), "Big Boss Man" (Smith/Willie Dixon), "Early In The Morning" (Trad. Arr. Group), "Person To Person Blues" (McRae/Glover), "Spanish Blues" (Graham Bond) | |||||
SIDE B: "Introduction By Dick Jordan" (Young!!!), "The First Time I Met The Blue" ( Buddy Guy), "Stormy Monday Blues" (Walker), "Train Time" (Group), "What´d I Say" (Charles) | |||||
Recorded live at Klooks Kleek, 100 West End Lane, London October 26 1964 by Graham Bond (organ, alto sax, vocals), Jack Bruce (bass, harmonica, vocals), Ginger Baker (drums) and Dick Heckstall-Smith (tenor sax). | |||||
* BYG 529 703 and 529 704 are shared with Sonny Boy Williamson and The Animals. | |||||
* Century 29ED 6026 is shared with Soft Machine. | |||||
* SPALAX SPA 14552 and SPALAX SPA 14553 are shared with Sonny Boy Williamson and The Animals. | |||||
* Charly K22P386 originally released with obi and lyric insert. | |||||
* Beware of cheap Eric Clapton compilations as you might as well find Klooks Kleek tunes included... The most ridiculous Clapton one is a 3CD set were you find the "usual" revamped Charly catalogue, including the Klooks Kleek gig, but this time overdubbed with additional instruments!!! | |||||
Graham Bond | This Is... Graham Bond - Bond In America | Philips 6382010 | UK | 14.04.72 | |
SIDE A: "Stiffnecked Chicken", "Walk Onto Me", "I Couldn`t Stand It Anymore", "Oh Shining One", "Moving Towards The Light" | |||||
SIDE B: "Crossroads Of Time", "Baroque", "Freaky Beak", "Strange Times, Sad Times", "Love Is The Law." | |||||
Recorded by Graham Bond (organ, Mellotron, alto sax and vocals), Hal Blaine (drums), Harvey Mandel (guitar), Max Bennett (bass) , Frank Mayes (sax), Eddie Hoh (drums) and Drachen Theaker (drums). | |||||
Probably recorded at TTG Studios, 1441 North McCadden Street, Hollywood, USA. | |||||
* Originally planned as a double album (Philips 6499200/1) containing the two Pulsar LP’s Love Is The Law and Mighty Grahame Bond. However in the end the compilation ended up as a single issue. | |||||
Bond and Brown | Two Heads Are Better Than One | Chapter 1 CHS R 813 | UK | 24.11.72 | |
Bond and Brown | Two Heads Are Better Than One | Harvest 2C064 93869 | FRA | 00.72 | |
Bond and Brown | Two Heads Are Better Than One...plus | CD | See For Miles SEE 345 | UK | 00.92 |
Bond and Brown | Two Heads Are Better Than One | CD | Repertoire REP 4271 WY | GER | 00.92 |
Bond and Brown | Two Heads Are Better Than One | CD | Air Mail AIRAC 1219 | JAP | 21.07.06 |
SIDE A: "Lost Tribe" (Graham Bond/Pete Brown), "Ig The Pig"(Graham Bond),"Oobati (LisleHarper), "Amazing Grass" (Diane Bond) | |||||
SIDE B: "Scunthorpe Crabmeat Train Sideways Boogie Shuffle Stomp" (Graham Bond/Pete Brown), "C.F.D.T.(Colonel Frights’ Dancing Terrapins)" (Graham Bond/Pete Brown), "Mass Debate" (Pete Brown/Ed Spevock), "Looking For Time" (Graham Bond/Pete Brown) | |||||
Recorded by Graham Bond (organ, piano, electric piano, alto sax, vocals), Pete Brown (trumpet, talking drums, vocals), Derek Foley (guitar), Lisle Harper (bass, congas, vocals), Ed Spevock (drums, percussion, backing vocals), Diane Bond (vocals, congas, percussion), Mick Hutchinson (guitar on "C.F.D.T. (Colonel Frights’ Dancing Terrapins)", Mick Walker (percussion, backing vocals), Erica Bond (backing vocals) and Sue Wooley (backing vocals) at Manor Studios, Shipton on Cherwell May 5, 7, 8 & 11 1972 / Wessex Studios, 106 Highbury New Park, London June 1972. | |||||
Engineer Manor Studios: Tom Newman / Engineer Wessex Studios: probably Robin Thompson. | |||||
Produced by Bond & Brown. | |||||
* The CD’s have added the Lost Tribe EP. (Title track of EP to be found on the LP first time around). | |||||
"Lost Tribe (Graham Bond/Pete Brown), "Macumbe" (Lisle Harper) and "Milk Is Turning Sour In My Shoes" (Pete Brown/Phil Ryan/Taff Williams). | |||||
Recorded by Graham Bond (organ, vocals), Pete Brown (vocals), Diane Stewart (percussion), Lisle Harper (bass) and Ed Spevock (drums) at Manor Studios, Shipton on Cherwell, May 5,7,8 & 11 1972. | |||||
Enginered by Tom Newman. | |||||
Produced by Bond & Brown. | |||||
* The UK and German CD’s have otherwise included the “Maltamour” soundtrack. | |||||
"Beginning", "Aeroplane Drinking Song", "Italian Song", "I Spend My Nights In Armour", "Fury Of War", "Magpie Man", "Drum Roll", "Swing Song", "Sailor´s Song" and "Ending" (all by Graham Bond/Pete Brown). | |||||
Recorded by Graham Bond (organ, piano, electric piano, alto sax, vocals), Pete Brown (trumpet, talking drums, vocals), Derek Foley (guitar), Tom Duffy (bass), Ed Spevock (drums, percussion, backing vocals), Diane Bond (vocals, congas, percussion) at Pathway Studios, 2a Grosvenor Avenue, London 23 & 24 October 1972. | |||||
Produced by Bond & Brown. | |||||
Duffy Power | SIDE A: “I Saw Her Standing There” (John Lennon/Paul McCartney) | |||||||||||||||||||||||||||||||||||||||
with | SIDE B: “Farewell Baby” (Graham Bond) | |||||||||||||||||||||||||||||||||||||||
the Graham Bond Quartet | ||||||||||||||||||||||||||||||||||||||||
Recorded at EMI, Studio 2, 3 Abbey Road, London March 20 1963 | ||||||||||||||||||||||||||||||||||||||||
Probably engineered by Norman Smith | ||||||||||||||||||||||||||||||||||||||||
Produced by Ron Richards | ||||||||||||||||||||||||||||||||||||||||
Released in the UK on EMI Parlophone R 5024, May 3 1963 | ||||||||||||||||||||||||||||||||||||||||
Recorded by Duffy Power (vocals), Graham Bond (organ), Jack Bruce (double bass), Ginger Baker (drums) and Big Jim Sullivan (guitar). | ||||||||||||||||||||||||||||||||||||||||
* According to Melody Maker, "Farewell Baby" was the A side planned. | ||||||||||||||||||||||||||||||||||||||||
Graham Bond Organisation | SIDE A: “Long Tall Shorty” (Don Covay/Herb Abramson) | |||||||||||||||||||||||||||||||||||||||
SIDE B: “Long Legged Baby” (Graham Bond) | ||||||||||||||||||||||||||||||||||||||||
Recorded May 5 1964 at Decca Studios, 165 Broadhurst Gardens, London | ||||||||||||||||||||||||||||||||||||||||
(Probably studio 2) | ||||||||||||||||||||||||||||||||||||||||
Engineered by Gus Dudgeon | ||||||||||||||||||||||||||||||||||||||||
Produced by Mike Vernon and Richard Lloyd | ||||||||||||||||||||||||||||||||||||||||
Released in UK on Decca F 11909, May 15 1964 | ||||||||||||||||||||||||||||||||||||||||
Recorded by Graham Bond (organ, vocals), Jack Bruce (bass), Ginger Baker (drums) and Dick Heckstall-Smith (tenor sax). | ||||||||||||||||||||||||||||||||||||||||
Graham Bond Organisation | SIDE A: “Tammy” (Jay Livingston/Ray Evans) | |||||||||||||||||||||||||||||||||||||||
SIDE B: “Wade In The Water” (Trad. arr.) | ||||||||||||||||||||||||||||||||||||||||
Recorded January 4 1965 at Olympic Sound Studios, Carton Street, London | ||||||||||||||||||||||||||||||||||||||||
Engineered by Keith Grant | ||||||||||||||||||||||||||||||||||||||||
Produced by Robert Stigwood | ||||||||||||||||||||||||||||||||||||||||
Released in the UK on EMI Columbia DB 7471, January 29 1965 | ||||||||||||||||||||||||||||||||||||||||
Recorded by Graham Bond (organ, alto sax, vocals), Jack Bruce (bass, vocals), Ginger Baker (drums) and Dick Heckstall-Smith (tenor sax). | ||||||||||||||||||||||||||||||||||||||||
* John Hockridge & Ian Hamer (trumpets) added to “Tammy” | ||||||||||||||||||||||||||||||||||||||||
* Unknown female backing singers added to “Tammy” | ||||||||||||||||||||||||||||||||||||||||
* A plug for the upcoming The Sound Of ‘65 LP (Columbia 33SX 1711) | ||||||||||||||||||||||||||||||||||||||||
Graham Bond Organisation | SIDE A: “Tell Me (I’m Gonna Love Again)” (Graham Bond Organisation) | |||||||||||||||||||||||||||||||||||||||
SIDE B: “Love Come Shining Through” (Graham Bond Organisation) | ||||||||||||||||||||||||||||||||||||||||
Recorded March 1965 at Olympic Sound Studios, Carton Street, London | ||||||||||||||||||||||||||||||||||||||||
Engineered by Keith Grant | ||||||||||||||||||||||||||||||||||||||||
Produced by Robert Stigwood | ||||||||||||||||||||||||||||||||||||||||
Released in the UK on EMI Columbia DB 7528, Apri1 2 1965 | ||||||||||||||||||||||||||||||||||||||||
Recorded by Graham Bond (organ, vocals), Jack Bruce (bass, vocals), Ginger Baker (drums) and Dick Heckstall-Smith (tenor sax). | ||||||||||||||||||||||||||||||||||||||||
Graham Bond Organisation | SIDE A: “Lease On Love” (Rick Minas/Mike Banwell) | |||||||||||||||||||||||||||||||||||||||
SIDE B: “My Heart´s In Little Pieces” (Graham Bond) | ||||||||||||||||||||||||||||||||||||||||
Side A recorded July 1 1965 at Olympic Sound Studios, Carton Street, London | ||||||||||||||||||||||||||||||||||||||||
Side B recorded June 30 1965 at Olympic Sound Studios, Carton Street, London | ||||||||||||||||||||||||||||||||||||||||
Engineered by Keith Grant | ||||||||||||||||||||||||||||||||||||||||
Produced by Robert Stigwood | ||||||||||||||||||||||||||||||||||||||||
Released in the UK on EMI Columbia DB 7647, July 23 1965 | ||||||||||||||||||||||||||||||||||||||||
Recorded by Graham Bond (organ, Mellotron, vocals), Jack Bruce (bass, double bass, vocals), Ginger Baker (drums) and Dick Heckstall-Smith (tenor sax). | ||||||||||||||||||||||||||||||||||||||||
Graham Bond Organisation | SIDE A: “St. James Infirmary” (J. Primrose/Arr. Ginger Baker) | |||||||||||||||||||||||||||||||||||||||
SIDE B: “Soul Tango” (Graham Bond) | ||||||||||||||||||||||||||||||||||||||||
Recorded January 10 1966, probably at Rayrik Studios, Chalk Farm, London | ||||||||||||||||||||||||||||||||||||||||
If Rayrik Studios > Engineered by John Timerly | ||||||||||||||||||||||||||||||||||||||||
Produced by Robert Stigwood | ||||||||||||||||||||||||||||||||||||||||
Released in the UK on EMI Columbia DB 7838, February 18 1966 | ||||||||||||||||||||||||||||||||||||||||
Recorded by Graham Bond (organ, vocals), Ginger Baker (drums), Dick Heckstall-Smith (tenor sax) and Mike Falana (trumpet). | ||||||||||||||||||||||||||||||||||||||||
Graham Bond Organisation | SIDE A: “St. James Infirmary” (J. Primrose/arr. Ginger Baker) | |||||||||||||||||||||||||||||||||||||||
SIDE B: “Wade In The Water” (Trad. arr.) | ||||||||||||||||||||||||||||||||||||||||
Recorded January 10 1966, probably at Rayrik Studios, Chalk Farm, London | ||||||||||||||||||||||||||||||||||||||||
If Rayrik Studios > Engineered by John Timerly | ||||||||||||||||||||||||||||||||||||||||
Produced by Robert Stigwood | ||||||||||||||||||||||||||||||||||||||||
Released in the US on Ascot 2211, March 1966 | ||||||||||||||||||||||||||||||||||||||||
Graham Bond (organ), Ginger Baker (drums), Dick Heckstall-Smith (tenor sax) and Mike Falana (trumpet). | ||||||||||||||||||||||||||||||||||||||||
* Released as PROMO ONLY | ||||||||||||||||||||||||||||||||||||||||
* A side same version as to be found on UK EMI Columbia DB 7838 | ||||||||||||||||||||||||||||||||||||||||
Graham Bond Organisation | SIDE A: “You’ve Gotta Have Love Babe” (Graham Bond) | |||||||||||||||||||||||||||||||||||||||
SIDE B: “I Love You” (Graham Bond) | ||||||||||||||||||||||||||||||||||||||||
Recorded January 18 1967 at Dick James Music, 71-75 New Oxford Street, London | ||||||||||||||||||||||||||||||||||||||||
Unknown engineer | ||||||||||||||||||||||||||||||||||||||||
Produced by Larry Page (according to the record label, but Colin Frechter has claimed credit as well...) | ||||||||||||||||||||||||||||||||||||||||
Released in the UK on Page One POF 014, February 10 1967 | ||||||||||||||||||||||||||||||||||||||||
Recorded by Graham Bond (organ, alto sax, vocals), Dick Heckstall-Smith (tenor sax) and Jon Hiseman (drums). | ||||||||||||||||||||||||||||||||||||||||
* Also released in Holland on Page One 23014 | ||||||||||||||||||||||||||||||||||||||||
* A French release is also rumoured to exist... | ||||||||||||||||||||||||||||||||||||||||
Grahame Bond | SIDE A: “Love Is The Law” (Billy Gamble aka Graham Bond) | |||||||||||||||||||||||||||||||||||||||
SIDE B: “The Naz” (Billy Gamble aka Graham Bond) | ||||||||||||||||||||||||||||||||||||||||
Recorded 1969, probably at TTG Studios, 1441 North McCadden Street, Hollywood, USA | ||||||||||||||||||||||||||||||||||||||||
Engineered by Hank Cicalo and Greg Venable | ||||||||||||||||||||||||||||||||||||||||
Produced by Abe “Voco” Kesh | ||||||||||||||||||||||||||||||||||||||||
Released in the US on Pulsar 2405, 1969 | ||||||||||||||||||||||||||||||||||||||||
Recorded by Graham Bond (organ, Mellotron, alto sax and vocals) and Hal Blaine (drums). | ||||||||||||||||||||||||||||||||||||||||
* Lifted from Love Is The Law Pulsar AR 10604 | ||||||||||||||||||||||||||||||||||||||||
* An e is added to Graham’s name for this release | ||||||||||||||||||||||||||||||||||||||||
Grahame Bond | SIDE A: “Moving Towards The Light” (Billy Gamble aka Graham Bond) | |||||||||||||||||||||||||||||||||||||||
SIDE B: “Crossroads Of Time” (Billy Gamble aka Graham Bond) | ||||||||||||||||||||||||||||||||||||||||
Recorded 1969, probably at TTG Studios, 1441 North McCadden Street, Hollywood, USA | ||||||||||||||||||||||||||||||||||||||||
Engineered by Hank Cicalo and Greg Venable | ||||||||||||||||||||||||||||||||||||||||
Produced by Abe “Voco” Kesh | ||||||||||||||||||||||||||||||||||||||||
Released in the US on Pulsar 2409, 1969 | ||||||||||||||||||||||||||||||||||||||||
Recorded by Graham Bond (organ, Mellotron, alto sax and vocals) and Hal Blaine (drums). | ||||||||||||||||||||||||||||||||||||||||
* Lifted from Love Is The Law Pulsar AR 10606 | ||||||||||||||||||||||||||||||||||||||||
* Released as PROMO ONLY | ||||||||||||||||||||||||||||||||||||||||
* An e is added to Graham’s name for this release | ||||||||||||||||||||||||||||||||||||||||
Grahame Bond | SIDE A: “Water, Water” (Billy Gamble aka Graham Bond) | |||||||||||||||||||||||||||||||||||||||
SIDE B: “Stiffnecked Chicken” (Billy Gamble aka Graham Bond) | ||||||||||||||||||||||||||||||||||||||||
Recorded 1969, probably at TTG Studios, 1441 North McCadden Street, Hollywood, USA | ||||||||||||||||||||||||||||||||||||||||
Unknown engineer | ||||||||||||||||||||||||||||||||||||||||
Produced by Abe “Voco” Kesh | ||||||||||||||||||||||||||||||||||||||||
Released in the US on Pulsar 2415, 1969 | ||||||||||||||||||||||||||||||||||||||||
Recorded by Graham Bond (organ, Mellotron, alto sax, vocals), Harvey Mandel (guitar), Max Bennett (bass) and Eddie Hoh (drums). | ||||||||||||||||||||||||||||||||||||||||
* Lifted from Mighty Grahame Bond Pulsar AR 10606 | ||||||||||||||||||||||||||||||||||||||||
* Released as PROMO ONLY | ||||||||||||||||||||||||||||||||||||||||
* An e is added to Graham’s name for this release | ||||||||||||||||||||||||||||||||||||||||
Graham Bond | SIDE A: “Walking In The Park” (Graham Bond) | |||||||||||||||||||||||||||||||||||||||
SIDE B: “Springtime In The City” (Graham Bond) | ||||||||||||||||||||||||||||||||||||||||
Recorded at Olympic Sound Studios, 117 Church Road, London probably late October 1966. | ||||||||||||||||||||||||||||||||||||||||
Engineered by Keith Grant | ||||||||||||||||||||||||||||||||||||||||
Produced by Jon Hiseman | ||||||||||||||||||||||||||||||||||||||||
Released in the UK on Warner Bros. WB 8004, January 30 1970 | ||||||||||||||||||||||||||||||||||||||||
Recorded by Graham Bond (organ, piano, alto sax, vocals), Dick Heckstall-Smith (soprano and tenor sax) and Jon Hiseman (drums). | ||||||||||||||||||||||||||||||||||||||||
Also released in the following countries: | ||||||||||||||||||||||||||||||||||||||||
France Warner Bros. WV 5139 (with picture sleeve) | ||||||||||||||||||||||||||||||||||||||||
Holland Warner Bros. WB 8004 (with picture sleeve) | ||||||||||||||||||||||||||||||||||||||||
Portugal Warner Bros. WB 8004 (with picture sleeve) | ||||||||||||||||||||||||||||||||||||||||
* A plug for the upcoming Solid Bond album on Warner Bros WS 3001 | ||||||||||||||||||||||||||||||||||||||||
* UK issue released with both solid and push out centre | ||||||||||||||||||||||||||||||||||||||||
* Portugese issue released with UK record | ||||||||||||||||||||||||||||||||||||||||
* A German release is also rumoured to exist. | ||||||||||||||||||||||||||||||||||||||||
Ginger Baker’s Airforce | SIDE A: “Man Of Constant Sorrow” (Trad. arr. Ginger Baker/Denny Laine) | |||||||||||||||||||||||||||||||||||||||
SIDE B: “Doin’ It” (Ginger Baker/Rick Grech) | ||||||||||||||||||||||||||||||||||||||||
Side A Recorded February 1970 at Olympic Studios, 117 Church Road, London | ||||||||||||||||||||||||||||||||||||||||
Probably engineered by Andrew Johns or George Chkiantz | ||||||||||||||||||||||||||||||||||||||||
Produced by Jimmy Miller | ||||||||||||||||||||||||||||||||||||||||
Recorded by Ginger Baker (drums), Denny Laine (guitar, vocals), Rick Grech (bass, violin), Phil Seaman (drums), Remi Kabaka (percussion), Jeanette Jacobs (vocals), Graham Bond (alto sax) and Harold McNair (tenor sax, flute). | ||||||||||||||||||||||||||||||||||||||||
Side B Recorded January 15 1970, Royal Albert Hall, Kensington Gore, London | ||||||||||||||||||||||||||||||||||||||||
Engineered by Andrew Johns & George Chkiantz | ||||||||||||||||||||||||||||||||||||||||
Produced by Jimmy Miller | ||||||||||||||||||||||||||||||||||||||||
Recorded by Ginger Baker (drums), Steve Winwood (organ, vocals), Denny Laine (guitar, vocals), Rick Grech (bass, violin), Phil Seaman (drums), Remi Kabaka (percussion), Jeanette Jacobs (vocals), Chris Wood (tenor sax, flute), Graham Bond (alto sax) and Harold McNair (tenor sax, flute). Later included unedited on the Ginger Baker’s Airforce double live album. | ||||||||||||||||||||||||||||||||||||||||
Released in the UK on Polydor 56 380, March 20 1970 | ||||||||||||||||||||||||||||||||||||||||
Also released in the following countries: | ||||||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||||
Graham Bond with Magick | SIDE A: “Twelve Gates To The City” (Graham Bond) | |||||||||||||||||||||||||||||||||||||||
SIDE B: “Water Water” (Graham Bond/Diane Stewart) | ||||||||||||||||||||||||||||||||||||||||
Side A recorded by Graham Bond (organ, vocals), Rick Grech (bass), John Morsehead (guitar), Keith Bailey (drums), Diane Stewart (percussion) and an unknown flute player. | ||||||||||||||||||||||||||||||||||||||||
Unknown studio, probably spring 1970 | ||||||||||||||||||||||||||||||||||||||||
Unknown engineer. | ||||||||||||||||||||||||||||||||||||||||
Produced by Graham Bond and Brian Shepherd. | ||||||||||||||||||||||||||||||||||||||||
Side B recorded by Graham Bond (organ, vocals), Diane Stewart (percussion), Steve Gregory (tenor sax), Philip Chen (bass), Reg Isadore (drums) and an unknown guitarist. | ||||||||||||||||||||||||||||||||||||||||
Winter 1971, probably Philips Studios, Stanhope Place, London | ||||||||||||||||||||||||||||||||||||||||
Unknown engineer. | ||||||||||||||||||||||||||||||||||||||||
Produced by Graham Bond and Brian Shepherd. | ||||||||||||||||||||||||||||||||||||||||
Released in the UK on Vertigo 6059 042, April 30 1971 | ||||||||||||||||||||||||||||||||||||||||
Also released in Germany on Vertigo 6059 042, 1971 (with PS) | ||||||||||||||||||||||||||||||||||||||||
Bond & Brown | SIDE A: “Lost Tribe” (Graham Bond/Pete Brown) | |||||||||||||||||||||||||||||||||||||||
“Macumbe” (Lisle Harper) | ||||||||||||||||||||||||||||||||||||||||
SIDE B: “Milk Is Turning Sour In My Shoes” (Pete Brown/Phil Ryan/Taff Williams) | ||||||||||||||||||||||||||||||||||||||||
Recorded May 5 - 11, 1972 at Manor Studios, Shipton on Cherwell | ||||||||||||||||||||||||||||||||||||||||
Engineered by Tom Newman | ||||||||||||||||||||||||||||||||||||||||
Produced by Bond & Brown | ||||||||||||||||||||||||||||||||||||||||
Released in the UK on Greenwich GSS 104, July 14 1972 | ||||||||||||||||||||||||||||||||||||||||
Recorded by Graham Bond (organ, vocals), Pete Brown (vocals), Diane Stewart (percussion), Lisle Harper (bass) and Ed Spevock (drums) | ||||||||||||||||||||||||||||||||||||||||
Also released in France on Harvest 2C 006 93828, 1972 (with PS) | ||||||||||||||||||||||||||||||||||||||||
* A German release is also rumoured to exist. | ||||||||||||||||||||||||||||||||||||||||
... | ... |
Var. Art.2LPg/f“Riverside Giants Of Jazz” Riverside JET 1A-B UK 11.62 ”Manumission” (John Burch) from Don Rendell New Jazz Quintet’s “Roarin’ “ LP Recorded by Don Rendell (tenor sax), Graham Bond (alto sax), John Burch (piano), Tony Archer (bass) and Phil Kinorra (drums) at Star Sound Studios, London August 29 1961 |
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Brian Dee Quartet | Unknown studio, possibly Philips Studios, Stanhope Place, London |
Unknown engineer/producer May 1961 Session for a planned Fontana single - “Wailing Zelda” and “Blues No. 5” Brian Dee (piano) and Graham Bond (alto sax), probably with Malcolm Cecil (bass) and Tony Mann (drums) |
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Don Rendell Quintet | Star Sound Studios, off Baker Street, London |
Engineered by chief of Star Sound Studios
Produced by Ed Michel June 17 1961 "Bring Back The Burch" (Graham Bond) and "Manumission" (Don Rendell) The “Roarin'” album recorded on this date, but these two tunes were scrapped and re-done at a second session august 29 Don Rendell (tenor sax), Graham Bond (alto sax), John Burch (piano), Tony Archer (bass) and Phil Kinorra (drums) |
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Dick Heckstall-Smith | Dick Heckstall-Smith´s house, Archway, London |
& Graham Bond | Between 1961 - 1963 |
Dick and Graham on saxes with unknown trombone player - possibly John Mumford - improvise music to be used by Dick's wife for ballet dancing |
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Don Rendell Quintet | Unknown studio in Leyton, London |
Unknown engineer/producer Between march - october 1962 Session for a planned EP, including "Frankincense" (Don Rendell ) Don Rendell (tenor sax), Graham Bond (alto sax), John Burch (piano), Tony Archer (bass) and Ted Pope (drums) |
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Alexis Korner´s | Decca Studios, probably Studio 2, 165 Broadhurst Gardens, London |
Blues Incorporated | Unknown engineer |
Produced by Roy Lister January 4 1963 An eleven track session including "The Organiser" (Alexis Korner), "Philboyd Sturge" (Alexis Korner), "Everday I Have The Blues" (Memphis Slim), "Lonely I Am" (N.N.), "Money, Money" (Alan Caddy/ Don Charles?), "Early In The Morning" (Trad.Arr.) and "Night Time Is The Right Time" (Brown/Cadena/Herman) Alexis Korner (guitar), Jack Bruce (double bass), Ginger Baker (drums), Johnny Parker (piano), Ronnie Jones (vocals), Graham Bond (alto sax) and Dick Heckstall-Smith (tenor sax) Unreleased except for "Early In The Morning" and "Night Time Is The Right Time" |
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Graham Bond | Test recording, EMI Studios, possibly Studio 2, 3 Abbey Road, London |
Engineered by Norman Smith Possibly produced by Ron Richards Recorded late january/early february 1963 Session including "Roll ´Em Pete" (Big Joe Turner/ Pete Johnson), "Baby What You Want Me To Do" (Jimmy Reed) and "Cabbage Greens" (Graham Bond) Graham Bond (organ, vocals), Jack Bruce (double bass), Ginger Baker (drums), Dick Heckstall-Smith (tenor sax), Alexis Korner (guitar) and the Velvettes (vocals) Bond did otherwise record several tracks in a trio format with Bruce and Baker |
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Duffy Power | EMI Studios, Studio 2, 3 Abbey Road, London |
with the Graham Bond Quartet | Engineered by Malcolm Addey |
Produced by Ron Richards February 20 1963 Session for “Shake, Rattle And Roll” (Charles Calhoun) (2 takes), “What'd I Say” (Ray Charles) (5 takes) and "I Saw Her Standing There" (John Lennon/Paul McCartney) (11 takes) Duffy Power (vocals), Graham Bond (organ), Jack Bruce (double bass), Ginger Baker (drums) and John McLaughlin (guitar) Master takes released on the Duffy Power 2CD compilation ”Leapers And Sleapers” |
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Duffy Power | EMI Studios, Studio 2, 3 Abbey Road, London |
with the Graham Bond Quartet | Engineered by Norman Smith |
Produced by Ron Richards February 28 1963 Session for “I Got A Woman” (Ray Charles) (8 takes) Duffy Power (vocals), Graham Bond (organ), Jack Bruce (double bass), Ginger Baker (drums) and John McLaughlin (guitar) Master take released on the Duffy Power 2CD compilation ”Leapers And Sleapers” |
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Duffy Power | EMI Studios, Studio 2, 3 Abbey Road, London |
with the Graham Bond Quartet | Engineered by Norman Smith |
Produced by Ron Richards March 11 1963 Session for “I Got A Woman” (Ray Charles) (6 takes) Duffy Power (vocals), Graham Bond (organ), Jack Bruce (double bass), Ginger Baker (drums) and John McLaughlin (guitar) |
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Johnny Burch Octet | The Plough, Ilford Lane, Ilford |
March 19 1963 A live recording including "I Remember Clifford" (Benny Golson), "Del Sasser" (Sam Jones), "Early In The Morning" (Trad.Arr.), "Moanin' "(Bobby Timmons/Jon Hendricks), "Immortal Ninth" (Jack Bruce) and possibly a Duke Ellington tune as well John Burch (piano), Jack Bruce (double bass), Ginger Baker (drums), Graham Bond (alto sax), Stan Robinson (tenor sax), Mike Falana (trumpet) and John Mumford (trombone) |
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Graham Bond Trio | The Plough, Ilford Lane, Ilford |
March 19 1963 "Wade In The Water" (Trad. Arr.) Graham Bond (organ), Jack Bruce (double bass) and Ginger Baker (drums) So far the only surviving recording of the Graham Bond Trio |
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Duffy Power | EMI Studios, Studio 2, 3 Abbey Road, London |
with the Graham Bond Quartet | Engineered by Norman Smith |
Produced by Ron Richards March 20 1963 Re-make session for "I Saw Her Standing There" (John Lennon/Paul McCartney) (11 takes). "Farewell Baby (Graham Bond) recorded as well at this date - an early take ended by mistake up on the Duffy Power 2CD compilation ”Leapers And Sleapers” Duffy Power (vocals), Graham Bond (organ), Jack Bruce (double bass), Ginger Baker (drums) and Big Jim Sullivan (guitar) Master takes released on Parlophone R 5024 |
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Graham Bond Quartet | Audition, EMI Studios, Studio 2, 3 Abbey Road, London |
Engineered by Norman Smith Produced by Ron Richards May 16 1963 Session including "Spanish" (Graham Bond) (10 takes), "It´s Happening" (Graham Bond) (5 takes), "Slippin´& Slidin´” (Graham Bond) (2 takes), ”Untitled Abbey Road Blues Instrumental ” (Graham Bond (1 take) and "Wade In The Water" (Trad.Arr.) (4 takes) Graham Bond (organ), Jack Bruce (double bass), Ginger Baker (drums) and John McLaughlin (guitar) Unreleased except for "Wade In The Water" which is to be found on the CD “Rhythm & Blues At Abbey Road” |
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Ernest Ranglin and the 'G.Bs' | Probably Chris Blackwell's “eggbox” studio, London |
Produced by Chris Blackwell Early april 1964 “Say When” Ernest Ranglin (guitar), Graham Bond (organ), Jack Bruce (bass) and Ginger Baker (drums) Probably a planned Black Swan single as the track was mixed as pt. I & II |
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Graham Bond Organisation | Audition, Decca Studios, Studio 1, 165 Broadhurst Gardens, London |
Probably engineered by Gus Dudgeon Probably produced by Mike Vernon Mid april 1964 Session including "Cabbage Greens" (Graham Bond), "Long Legged Baby" (Graham Bond), "Hoochie Coochie Man" (Willie Dixon), "Wade In The Water" (Trad.Arr.), "Green Onions" (Booker T. Jones/Steve Cropper/Al Jackson/Lewis Steinberg), "High Heeled Sneakers" (Robert Higgenbotham) and "Honey Bee" (McKinley Morganfield) Graham Bond (organ, vocals), Jack Bruce (bass, harmonica, vocals), Ginger Baker (drums) and Dick Heckstall-Smith (tenor sax) A good live in studio audition, only marred by Graham`s voicewhich was totally gone on this particular day! |
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Graham Bond Organisation | The existence of a Decca EP and the Philips/Mercury 2LP |
"Bond In America" are two Bond rumours who surfaced years ago The EP rumour probably appeared when the 1974 book"British Beat" mentioned a Decca 1964 EP including the following tracks: "High Heeled Sneakers" (Robert Higgenbotham), "Hoochie Coochie Man" (Willie Dixon), "Little Girl" (Graham Bond), "Long Legged Baby" (Graham Bond) and "Strut Around" (Graham Bond) Later on the EP was given the catalog number DFE 4616 and a release date, april 21. However - at that point the tunes weren`t even recorded! It´s also worth mentioning that the Decca compilation album "Rhythm & Blues" - which later included the five tracks - had the catalog number LK 4616. A 1964 Decca EP would have been in their 8500 series... The late Dick Heckstall-Smith had otherwise no recollection of this EP |
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Graham Bond Organisation | Jingles for pirate station Radio Caroline, London |
Probably spring 1964 Session(s) set up through their manager Ronan O`Rahilly who also ran this radio station Graham Bond (organ, vocals), Jack Bruce (bass), Ginger Baker (drums) and Dick Heckstall-Smith (tenor sax) |
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Graham Bond Organisation | Decca Studios, probably Studio 2, 165 Broadhurst Gardens, London |
Probably engineered by Gus Dudgeon Produced by Mike Vernon and Richard Lloyd August 6 1964 "I Want You" (Graham Bond) Graham Bond (organ, vocals), Jack Bruce (bass), Ginger Baker (drums) and Dick Heckstall-Smith (tenor sax) Tape lost |
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Graham Bond Organisation | Unknown venue |
Recorded by Ken S. Mundy Autumn 1964 A live recording including "Wade In The Water" (Trad. Arr.), "Hoochie Coochie Man" (Willie Dixon), "Long Tall Shorty", (Don Covay/Herb Abramson), "Queen Of Hearts" (Graham Bond), "Alcoholic Blues" (Graham Bond), "Spanish Blues" (Graham Bond), "Person To Person Blues" (McRae/Glover), "Green Onions" (Booker T. Jones/Steve Cropper/Al Jackson/Lewis Steinberg), "High Heeled Sneakers" (Robert Higgenbotham), "The First Time I Met The Blues" (Buddy Guy), "Little Girl" (Graham Bond), "Stormy Monday" (T-Bone Walker) and "What´d I Say" (Ray Charles) Quite similar to the "Klooks Kleek" recording, though this recording includes two tunes not released commercially by the Organisation; "Queen Of Hearts"and "Alcoholic Blues" Graham Bond (organ, vocals, alto sax), Jack Bruce (bass, vocals, harmonica), Ginger Baker (drums) and Dick Heckstall-Smith (tenor sax) |
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Graham Bond Organisation | Olympic Sound Studios, Studio 1, Carton Hall, Carton Street, London |
Engineered by Keith Grant Produced by Robert Stigwood December 16 1964 "What Am I Living For" (Jay/Harris) (6 takes) recorded during sessions for "The Sound Of ´65" album Graham Bond (organ, vocals, alto sax), Jack Bruce (bass, vocals), Ginger Baker (drums) and Dick Heckstall-Smith (tenor sax) |
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Graham Bond Organisation | Olympic Sound Studios, Studio 1, Carton Hall, Carton Street, London |
Engineered by Keith Grant Produced by Robert Stigwood January 4 1965 "Don´t Know" (Graham Bond?) (1 take) recorded during sessions for "The Sound Of '65" album Graham Bond (organ, vocals), Jack Bruce (bass, vocals), Ginger Baker (drums) and Dick Heckstall-Smith (tenor sax) Tape probably lost |
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Graham Bond Organisation | Olympic Sound Studios, Studio 1, Carton Hall, Carton Street, London |
Engineered by Keith Grant Produced by Robert Stigwood June 30 1965 "Lease On Love" (Rick Minas/Mike Banwell) (8 takes) and "Passing Strangers" (Graham Bond?) (10 takes) recorded during sessions for "There´s A Bond Between Us" album. Work on "Lease On Love" continued the following day Graham Bond (organ, vocals, alto sax, Mellotron), Jack Bruce (bass, vocals,), Ginger Baker (drums) and Dick Heckstall-Smith (tenor sax) "Passing Strangers" tape probably lost |
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Graham Bond Organisation | Olympic Sound Studios, Studio 1, Carton Hall, Carton Street, London |
Engineered by Keith Grant Produced by Robert Stigwood July 1 1965 "Cold Rain" (Ginger Baker) and "Positive" (Jack Bruce) recorded during sessions for "There´s A Bond Between Us" album "Positive" is the original title for what later became"HHCK Blues" Graham Bond (organ, vocals, alto sax, Mellotron), Jack Bruce (bass, vocals, harmonica), Ginger Baker (drums) and Dick Heckstall-Smith (tenor sax) |
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Graham Bond Organisation | Rayrik Studios, Chalk Farm, London |
Engineered by John Timerly Produced by Robert Stigwood October 5 1965 "When Johnny Comes Marching Home" (Patrick Sarsfield Gilmore), "Good Good Loving" (Graham Bond) (2 takes) and "Only Sixteen" (Graham Bond) (1 take) Graham Bond (organ, alto sax, vocals), Ginger Baker (drums), Dick Heckstall-Smith (tenor sax) and Mike Fallana (trumpet) |
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Trevor Watts Quintet & friends | Little Theatre Club, Garrick Yard, London |
January 3 1966 "Little Richie" (John Stevens) Trevor Watts (alto sax), Graham Bond (alto sax), Paul Rutherford (trombone), Les Carter (flute) Jeff Clyne (bass), John Ryan (bass) and John Stevens (drums) |
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Graham Bond Organisation | Probably Rayrik Studios, Chalk Farm, London |
Engineered by John Timerly Produced by Robert Stigwood January 10 1966 "Down In The Valley" (Solomon Burke/Bert Berns) (2 takes) Graham Bond (organ, vocals), Ginger Baker (drums), Dick Heckstall-Smith (tenor sax) and Mike Fallana (trumpet) |
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Gary Hamilton | Probably Rayrik Studios, Chalk Farm, London |
Engineered by John Timerly Produced by Robert Stigwood January 15 1966 "Electric Metric" (Gary Hamilton?) (4 takes) and "I´ll Never Get Over You" (Gary Hamilton?) (5 takes) Recorded by Gary Hamilton (vocals), Graham Bond (organ), Ginger Baker (drums), Dick Heckstall-Smith (tenor sax) and Mike Fallana (trumpet) As the Organisation also was managed by Stigwood they were more or less forced into doing this backing session. According to Pete Brown surviving tapes proves that part of the band more or less sabotaged the session! |
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Graham Bond Organisation | Olympic Sound Studios, Studio 1, Carton Hall, Carton Street, London |
Engineered by Keith Grant Produced by Robert Stigwood June 30 1966 "Wade In The Water" (Trad. Arr.) (14 takes) and "Only Sixteen" (Graham Bond) (14 takes) Recorded by Graham Bond (organ, vocals ), Dick Heckstall-Smith (tenor sax) Mike Fallana (trumpet) and Jon Hiseman (drums) Jon Hiseman to the editor: “Two tracks were recorded and then we went to Ram Jam and played... it was my first day...no rehearsals...just in with both feet” |
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Graham Bond Organisation | Olympic Sound Studios, probably Studio 2, 117 Church Road, London |
Engineered by Eddie Kramer Produced by Jon Hiseman Probably late October 1966 "Green Onions" (Booker T. Jones/Steve Cropper/Al Jackson/Lewis Steinberg), "Springtime in the City" (Graham Bond), "Can´t Stand It" (Graham Bond), "Only Sixteen" (Graham Bond), "Last Night" (Axton/Newman/Caple/Smith/Moman), Long Legged Baby" (Graham Bond), "Walking In The Park" (Graham Bond), "It`s Not Goodbye" (Graham Bond) and "Neighbour Neighbour" (Alton/J. Valler) Graham Bond (organ, piano, alto sax, vocals), Dick Heckstall-Smith (soprano and tenor sax) and Jon Hiseman (drums) Session for a Polydor album, but the deal fell through – tracks later included on the 2LP "Solid Bond" released in 1970 |
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Graham Bond Organisation | Probably Dick James Music, 71-75 New Oxford Street, London |
Unknown engineer Produced by Larry Page Late november 1966 Probably month for demo session "You Gotta Have Love Babe" Graham Bond (organ, vocals, alto sax), Dick Heckstall-Smith (tenor sax) and Jon Hiseman (drums) |
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Graham Bond etc | Barbara Thompson´s house, Wimbledon, London |
Late 1966 Jam session - including "Improvisation" Graham Bond (alto sax), Barbara Thompson (reeds), Jon Hiseman (drums), Mike Taylor (piano), Tony Reeves (bass) and Louie (congas) |
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Graham Bond Organisation | Unknown venue |
Recorded by Ken S. Mundybr>
Late 1966 or 1967 A live recording including "What´d I Say" (Ray Charles), "Can´t Stand It" (Graham Bond), "When Johnny Comes Marching Home" (Patrick Sarsfield Gilmore), "Last Night" (Axton/Newman/Caple/Smith/Moman), "Springtime In The City" (Graham Bond), "Only Sixteen" (Graham Bond), "Long Legged Baby" (Graham Bond) and "Green Onions" (Booker T. Jones/Steve Cropper/Jackson /Lewis Steinberg) Graham Bond (organ, vocals, alto sax), Dick Heckstall-Smith (tenor sax) and Jon Hiseman (drums) with Big Pete Bailey adding percussion |
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Graham Bond etc | Ladbroke Grove, London |
1966 or 1967 Jam session Graham Bond (alto sax), Jon Hiseman (drums), Mike Taylor (piano), Tony Reeves (bass) and Jack Masserik (alto sax) |
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Graham Bond Organisation | |
Melody Maker reported early in 1967 that Graham Bond had signed a three year recording contract with Larry Page and the Page One label. First release would be the single"You Gotta Have Love Babe" on February 10, an album of religious music (!!!) would be released at Easter and later on a popular album and an EP called "Bond Is Blue" would follow. Apart from the "You Gotta Have Love Babe" single nothing more was ever released | |
Graham Bond & Jimi Hendrix etc | Record Plant, 321 West 44th Street, New York, USA |
Engineered by Gary Kellgren or Eddie Kramer July 1 1968 Jam session Jimi Hendrix (guitar) and Graham Bond (organ) - other musician taking part not known |
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Graham Bond & Jimi Hendrix etc | TTG, studio B, 1441 North McCadden Street, Hollywood, USA |
Engineered by Angel Balestier October 27 and 29 1968 Jam sessions Jimi Hendrix (guitar), Graham Bond (organ/piano), Andy Cahan (harpsichord), Jack Casady (bass), Lowell George (flute), Noel Redding (bass) and Mitch Mitchell (drums) |
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Wade & the Renegades | Unknown studio, possibly TTG or RCA, Hollywood, USA |
Late 1968 Jam session Graham Bond (alto sax & piano), Jorma Kaukonen (guitar), Jack Casady (bass) and Jody Covington (drums) |
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Graham Bond & Grateful Dead | Although Graham jammed with the Dead during his stay in California, it´s uncertain if anything was taped |
Graham Bond | Graham stated several times that he recorded a third album for the Pulsar label, but nothing has turned up yet |
Rick Grech and Denny Laine | Olympic Studios, Studio 2, 117 Church Road, London |
October 1969 - february 1970 Graham was involved in sessions for a planned Polydor album by Rick Grech and Denny Laine and though "Rick Grech & Denny Laine" was set for a march 1970 release, material didn`t surface before two tracks were added as bonus to the German edition of the Blind Faith CD(!). As there no sax or keyboards audible, I doubt Graham`s involvence |
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Graham Bond Initiation | Royal College Of Art, Kensington Gore, London |
Possibly december 5 1969 A live recording including “Baroque” (Graham Bond), “Magic Mojo Blues” (Graham Bond), “Wade In The Water” (Trad.Arr.) and “Springtime In The City” (Graham Bond) Graham Bond (organ, vocals, alto sax), Keith Bailey (drums) + unknown tenor player |
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Ginger Baker´s Airforce | Royal Albert Hall, Kensington Gore, London |
January 15 1970 Apart from the tunes released on the "Airforce" 2LP, "We Free Kings" and "40 000 Headmen" were also taped Ginger Baker (drums), Steve Winwood (organ, vocals), Denny Laine (guitar, vocals), Rick Grech (bass, violin), Phil Seaman (drums), Chris Wood (tenor sax, flute), Graham Bond (alto sax), Harold McNair (tenor sax, flute), Remi Kabaka (percussion) and Jeanette Jacobs (vocals) |
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Ginger Baker´s Airforce | Lyceum, Strand, London |
March 29 1970 "The entire concert and rehearsals will be filmed, together with additional footage of the band off stage". The music press also said that Jimmy Miller would produce the accompaniment soundtrack album... Ginger Baker (drums), Alan White (drums), Phil Seaman (drums), Remi Kabaka (percussion), Denny Laine (guitar, vocals), Rick Grech (bass, violin) Trevor Burton (bass, guitar), Graham Bond (organ, alto sax, vocals), Harold McNair (tenor sax, flute, Steve Gregory (tenor sax, flute) Bud Beadle (saxes), Eleanor Barooshian (vocals) and Jeanette Jacobs (vocals) |
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Ginger Baker´s Airforce | Drittes Essener Pop & Blues Festival, Gruga Halle, Norbertstrasse, Essen, West Germany |
October 22 1970 A live recording including "What A Day" (Steve Gregory & Ken Craddock), "Aiko Biaye" (Remi Kabaka) and "Do What You Like" (Ginger Baker) Ginger Baker (drums), Neemoi Acquaye (African drums, percussion, vocals), Ken Craddock (piano, organ, guitar, vocals), Colin Gibson (bass), Steve Gregory (tenor sax, flute), Graham Bond (alto sax, organ, piano, vocals), Bud Beadle (saxes), Aliki Ashman (vocals) and Diane Stewart (vocals) |
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Ginger Baker´s Airforce | Stadthalle, Offenbach, West Germany |
December 18 1970 Live recording including “We Free Kings”, (Ginger Baker), “Don´t Care” (Ginger Baker/Steve Winwood), “Early In The Morning” (Trad. Arr. Ginger Baker) “Sunshine Of Your Love”,(Jack Bruce/Pete Brown), "Toady” (Ginger Baker), “Let Me Ride” (Roebuck Staples), “12 Gates To The City” (Graham Bond), ”What A Day” (Steve Gregory/Ken Craddock), “Aiko Biaye” (Remi Kabaka), “Instrumental Jam” and “Do What You Like” (Ginger Baker) Ginger Baker (drums), Gaspar Lawal (African drums, percussion, vocals), Ken Craddock (organ, guitar, vocals), Colin Gibson (bass), Steve Gregory (tenor sax, flute), Graham Bond (alto sax, organ, vocals), Bud Beadle (saxes), Aliki Ashman (vocals) and Diane Stewart (vocals) |
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Ginger Baker´s Airforce | Lyceum, Strand, London |
February 1 1971 This gig was part of the long awaited Ginger Baker/Elvin Jones drum battle, originally to have taken place back in November 1970. Airforce joined in on their first number called "Improviations", before the real battle began. According to NME the drum battle and Airforce own set would be recorded for a proposed LP... Ginger Baker (drums), Neemoi Acquaye (African drums, percussion), Ken Craddock (piano, organ, guitar, vocals), Colin Gibson (bass), Steve Gregory (tenor sax, flute), Graham Bond (alto sax, organ, piano, vocals), Bud Beadle (saxes), Johnny Haastrup (vocals), Aliki Ashman (vocals) and Diane Stewart (vocals) |
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Ginger Baker´s Airforce | The Belfry, Sutton Coldfield |
February 20 1971 A live recording including "Do What You Like" (Ginger Baker) and “Doin' It” (Ginger Baker/Rick Grech) Ginger Baker (drums), Neemoi Acquaye (African drums, percussion), Ken Craddock (piano, organ, guitar, vocals), Colin Gibson (bass), Steve Gregory (tenor sax, flute), Graham Bond (alto sax, organ, piano, vocals), Bud Beadle (saxes), Johnny Haastrup (vocals), Aliki Ashman (vocals) and Diane Stewart (vocals) Last Airforce gig |
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Jack Bruce | VPRO Piknik, Middelburg, Holland |
July 29 1971 This concert was arranged by the radio station VPRO, who also broadcasted the event. As other Piknik events were repeated during the early 90´s, there´s a chance this one got the same treatment as well Although not sure what was aired on radio or TV; the following tunes have at least surfaced on audio tape: "Smiles And Grins", "Letter Of Thanks", "Theme For An Imaginary Western", "You Burned The Tables On Me" and "Folk Song". All by Jack Bruce /Pete Brown Jack Bruce (bass, piano, vocals), Graham Bond (organ), Chris Spedding (guitars), Larry Coryell (guitars) and John Marshall (drums) |
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Jack Bruce & Friends | Hyde Park, London |
September 4 1971 A live recording including "Letter Of Thanks" (Jack Bruce/ Pete Brown), "Detective Writer Daughter" (Carla Bley/ Paul Haines), "Politician" (Jack Bruce /Pete Brown), "Third Degree" (Eddie Boyd), "Powerhouse Sod", (Jack Bruce /Pete Brown) and "One Word" (John McLaughlin) Jack Bruce (bass, piano, vocals), Graham Bond (organ, piano, alto sax, vocals), Chris Spedding (guitars), John Marshall (drums) and Art Themen (tenor sax) |
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Jack Bruce & Friends | Milan, Italy |
November 1971 A live recording including "You Burned The Tables On Me", "Smiles And Grins", "Politician", "Letter Of Thanks", "Detective Writer Daughter", "Powerhouse Sod" and "Sunshine Of Your Love". All by Jack Bruce /Pete Brown except "Detective Writer Daughter" (Carla Bley/Paul Haines) Jack Bruce (bass, vocals), Graham Bond (organ, alto sax), Chris Spedding (guitars) and John Marshall (drums) |
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Graham Bond | "Bond In America" Philips 6499 200/1 |
Proposed release 1971 or 1972 "This Is... Graham Bond - Bond In America" (Philips 6382 010) was originally planned as a double album containing both Pulsar LP`s. To Graham`s dissatisfaction the project ended up as a single compilation |
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Bond & Brown | Radio broadcast, Paris, France |
Probably july 1972 Unknown tunes Graham Bond (organ, alto sax, vocals), Pete Brown (trumpet, talking drums, vocals), Derek Foley (guitar), Lisle Harper (bass, congas, vocals), Ed Spevock (drums, percussion, backing vocals), and Diane Bond (vocals, congas, percussion) |
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Bond & Brown | Greyhound, 175 Fulham Palace Road, London |
August 6 1972 A live recording including “Got A Letter From A Computer” (Pete Brown/Jim Mullen), “Lost Tribe” (Graham Bond/Pete Brown), “Traveling Blues (The New Used Jew's Dues Blues)” (Pete Brown), “Love Is The Law” (Graham Bond), “Freaky Beaks” (Graham Bond) and “Milk Is Turning Sour In My Shoes” (Graham Bond/Pete Brown) Graham Bond (organ, alto sax, vocals), Pete Brown (trumpet, talking drums, vocals), Derek Foley (guitar), Lisle Harper (bass, congas, vocals), Ed Spevock (drums, percussion, backing vocals), and Diane Bond (vocals, congas, percussion) with Dave Brock (guitar) and Dave Thompson (soprano sax) |
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Graham Bond Organisation | "Master Series" Deram 564 212-2 Holland |
Proposed release june 1999 A cancelled CD bringing together "Long Tall Shorty", "Long Legged Baby", "Hoochie Coochie Man", "Strut Around", "High Heeled Sneakers", "Little Girl", "Harmonica" and "Wade In The Water" from the Decca period with "I Got My Mojo Working", "Spanish Blues", "Oh Baby", "Tammy", "Baby Be Good To Me", "Lease On Love", "St. James´ Infirmary", "My Heart´s In Little Pieces", "Early In The Morning" and "Walking In The Park" from the Columbia recordings Graham Bond (organ, Mellotron, alto sax, vocals), Jack Bruce (bass, double bass, harmonica, vocals), Ginger Baker (drums) and Dick Heckstall-Smith (tenor sax) |
Dudley Moore and Richard Rodney Bennett | Pye, Nixa, Landsdowne and Levy Sound studios, London |
Unknown engineers/producer Probably autumn/winter 1960 ”The First Orchestrations played by John Bassett and his band” CD Harkit HRK CD 8054 UK 00.04 Graham with among others Dick Heckstall-Smith and Don Rendell took part in sessions for this big band album. Recorded in 1960 it didn't see the light of day before 2004 |
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Ernest Ranglin | Probably Chris Blackwell’s “egg box” studio, London |
Unknown engineer Produced by Chris Blackwell Early april 1964 As “the GBs’ ” Graham Bond (organ), Jack Bruce (bass) and Ginger Baker (drums) backed Jamaican guitarist Ernest Ranglin on two instrumental 7” releases: SIDE A: ”Swing-A-Ling Pt. 1” (Ernest Ranglin) SIDE B: ”Swing-A-Ling Pt. 2” (Ernest Ranglin) Black Swan W1 417 - released in the UK in 1964 Released with both solid and push out centre SIDE A: ”Just A Little Walk Pt. 1” (Ernest Ranglin) ”Just A Little Walk Pt. 2” (Ernest Ranglin) SIDE B: ”So-Ho” (Ernest Ranglin) Black Swan IEP 704 - released with PS in the UK in 1964 The EP sleeve states the songs as ”Swing-A-Ling Pt. 1 & 2” and ”So-Ho” rather than the record labels which goes for the titles above In a late 90’s interview Ranglin said that Graham played on most of, if not all the UK produced Black Swan releases... |
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Winston G. | Probably Olympic Sound Studios, Studio 1, Carton Hall, Carton Street, London |
If so, engineered by Keith Grant Produced by Robert Stigwood March 1965 SIDE A: "Please Don’t Say” (Charles Blackwell) SIDE B: ”Like A Baby” (Jesse Stone) Released in the UK on EMI Parlophone R 5266, april 9 1965 As the Graham Bond Organisation, Winston G. was also part of the Robert Stigwood prod. Both acts were to be found on the Stigwood organised Chuck Berry package tour which had taken place earlier in the year Although it’s not really known who contributed to this 45, the record label credits Graham for the accompaniment direction on the A side. Ginger Baker gets a similar credit for the flip side. Dick Heckstall-Smith possibly involved as well |
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The Who | Olympic Sound Studios, Studio 1, Carton Hall, Carton Street, London |
Engineered by Keith Grant A side recorded february 12 1966 Produced by The Who B side recorded over the weekend march 11 – 13 1966 Produced by Robert Stigwood SIDE A: ”Substitute” (Pete Townshend) SIDE B: ”Waltz For A Pig” (Harry Butcher aka Ginger Baker) Released in the UK on Reaction 591001, march 15 1966 Highest position on the chart: # 5 Also released in the following countries: US Atco 45-6409 02.04.66 US Atco 45-6409 PROMO 00.66 US Atco 45-6509 RE 19.07.67 US Atco 45-6409 1-sided PROMO 00.66 CAN Polydor 42-1030 GER Polydor 421 030 with PS HOL Polydor 421 030 with PS? (Does this issue exists?) HOL Polydor S 1200 with PS IT Polydor 421 030 F with PS SWE Polydor NH 59 715 with PS GREECE Polydor NHH 2212 JAP Polydor DP 1494 with PS AUS Polydor NH 591001 NZ Polydor 421 030 SA Polydor FM 7217 ”Waltz For A Pig” is also to be found on the following EP’s: ”Substitute” Polydor EPH 60029 with PS AUS ”Substitute” Polydor EPH 60029 with PS NZ ”Happy Jack” Polydor EPH 50997 with PS SPA Lack of US promotion force the Who’s management to break their contract with producer Shel Talmy. Instead of an ordinary release on Brunswick their new single,"Substitute”/”Circles”, is to be found on Robert Stigwood’s Reaction label. As Talmy has produced the B-side he veto the release, take the Who to the court and make them unavailable to record until the case is settled. The band do not want to loose money on their 5th single and therefore hire “session musicians”, the Graham Bond Organisation, for the flipside of their alternative Reaction release The Organisation is credited as ”The Who Orchestra” on every 7” release, except for the German, Japanese and US ones + the Australian EP, where they’re simply credited as ”The Who” “Waltz For A Pig” recorded by Graham Bond (organ), Ginger Baker (drums), Dick Heckstall-Smith (tenor sax) and Mike Falana (trumpet) |
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Beverley/Denny Cordell Tea Time Ensemble | Unknown studio, London |
Unknown engineer A side produced by Denny Cordell B side produced by Keith Reid and Mia Cordell Spring/summer 1967 SIDE A: “Museum” (Donovan Leitch) SIDE B: ”A Quick One For Sanity” (Denny Cordell) Deram DM 137 UK 07.07.67 Deram 45-DEM-7512 US 00.67Graham appears on the B side playing groovy organ. The tune is in fact Graham’s very own “It’s Not Goodbye”, but done as a horn driven instrumental |
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The Fool | Record Plant, New York, USA |
Unknown engineer Produced by Graham Nash and Graham Bond Probably may/june 1968 g/f ”The Fool” Mercury SMLL 20138 UK 1.69 g/f ”The Fool” Mercury SR 61178 US 10.68 CD “The Fool” Polygram VSCD 710 JAP 00.97 CD ”The Fool...Plus” See For Miles SEECD 496 UK 00.98 CD ”The Fool“ Rev-Ola CR REV 116 UK 21.07.05 PS “Lay It Down”/”Rainbow Man” Mercury 72896 US 00.68 ”We Are One”/”Shining Light” Mercury MF 1111 UK 00.68 ”We Are One”/”Shining Light” Mercury 72918 US 00.68 “Rainbow Man”/”Lay It Down”/”Fly”/”No One Will Ever Know” PROMO ONLY Mercury MEP 91 US 00.68Not album of the year – you'll spot Graham on e.g. ”Keep On Pushin'” |
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Harvey Mandel | Grahams contribution recorded either at Western Recorders, Wally Heider or Amigo Studios, L.A., USA |
Western Recorders > Engineered by Joe Sidore Wally Heider Studio > Engineered by Chris Hinshaw Amigo Studios > Engineered by Hank Cicalo Produced by Abe “Voco” Kesh Autumn 1968 ”Cristo Redentor” Philips 600 281 US 00.68 ”Cristo Redentor” Philips PHS 600 281 CAN 00.68 ”Cristo Redentor” Philips SBL 7873 UK 00.68 RE ”Cristo Redentor” Philips 6336 009 UK 00.70 ”Cristo Redentor” Philips 6336 009 NZ 00.70 RE ”Cristo Redentor” EG EGED 62 UK 11.89 CD ”Cristo Redentor” EG EGED 62 UK 11.89 2CD ”Mercury Years” Mercury 528275 US 00.95 CD “Cristo Redentor” Raven RVCD 163 AUS 09.06.03 “Cristo Redentor”/”Bradley’s Barn” Philips 40566 US 00.68Graham - credited as Grahame Bond - adds voices to “Cristo Redentor” and piano to “You Can't Tell”. The whole album is otherwise to be found included on the 2CD Mandel compilation “Mercury Years” |
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Wayne Talbert and the Melting Pot/Tobias Wood Henderson | |
Graham is believed to been involved in Pulsar releases by Wayne Talbert and the Melting Pot (”Dues To Pay” AR 10603, 1969) and Tobias Wood Hendersen (”Blue Stone” AR 10605, 1969) | |
Screamin’ Jay Hawkins | Recorded live at Club Amigo, Hollywood, USA |
Engineered by Hank Cicalo 2nd engineers: Mark Harmon & Russ Schmidt Produced by Milan Melvin June 23 & 24 1969 ”...What That Is!” Philips PHS 600 319 US 00.69 CD “...What That Is!” Verve 527490-2 FRA 12.12.95 Graham - credited as Grahame Bond - adds piano to ”I’m Lonely” and ”Stone Crazy” Both tracks also released as single: ”I’m Lonely”/”Stone Crazy” Philips 40606 US 00.69 The whole album is otherwise to be found included on: 2LP ”Feast Of The Mau – Mau” Edsel ED 252 UK 00.88 CD ”Feast Of The Mau – Mau” Edsel ED CD 252 UK 00.91 2CD ”Spellbound! 1955 – 1974” Bear Family BCD 15530 GER 03.12.90 |
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Philamore Lincoln | Probably Olympic Sound Studios, 117 Church Road, London |
Engineered by Glyn Johns and Andrew Johns Produced by James Wilder Autumn 1969 ”The North Wind Blew South” Epic BN 26497 US 26.01.70 ”The North Wind Blew South” CBS UK 08.70 RE ”The North Wind Blew South” Epic BN 26497 US 00.00 CD ”The North Wind Blew South” Epic ESCA 7546 JAP 01.07.94 CD ”The North Wind Blew South” Grapefruit CRSEG 011 UK 14.02.10Vocalist and drummer Philamore Lincoln was one of many musicians to sit in with Graham´s band after the departure of Jon Hiseman and Dick Heckstall-Smith. Though Graham does not get a credit, it’s no doubt him playing organ, piano and alto sax on “Blew Through”. The composers credit goes to Lincoln, but Graham is in fact the driving force behind this instrumental. Otherwise VERY Jimmy Page on “You're The One”... The planned UK issue on CBS was cancelled |
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Dr. John | Trident Studios, Trident House, 17 St. Anne´s Court, London |
Produced by Dr. John and Charles Greene July 1970 ”Sun, Moon and Herbs” Atco 33-362 US 31.08.71 ”Sun, Moon and Herbs” Atlantic 2400 161 UK 11.71 RE ”Sun, Moon and Herbs” Atlantic K 40250 UK 00.72 ”Sun, Moon and Herbs” Atlantic K 40250 GER 00.72 CD ”Sun, Moon and Herbs” Atlantic/Atco JAP CD ”Sun, Moon and Herbs” Atco 7567-80440-2 GER 2.94 CD ”Sun, Moon and Herbs” Wounded Bird WOU 322 US 02.04.02Graham with among others Mick Jagger and Derek & the Dominoes took part in sessions for this album. Planned as a triple set, it finally appeared as a single album. Graham contributed alto sax to three tracks; ”Black John The Conqueror”, ”Pots On Fiyo (File Gumbo)/Who I Got To Fall On (If The Pot Get Heavy)” and ”Familiar Reality Reprise” |
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”Happy Hammond Party With Graham Bond At The Organ” | Graham used to claim he was featured on a Hammond party album |
Could possibly be true, but could also be what author Harry Shapiro calls a ”TGBS” – A Typical Graham Bond Story! | |
Dick Heckstall-Smith | Manor Studios, Shipton on Cherwell |
Engineered by Tom Newman, Peter Gallen and Geoff Young Produced by Jon Hiseman March 13 - april 1972 g/f ”A Story Ended” Bronze ILPS 9196 UK 23.06.72 8 track ”A Story Ended” Bronze UK 00.72 g/f ”A Story Ended” WB 2650 US 00.72 g/f ”A Story Ended” Island 86257 IT GER 00.72 g/f “A Story Ended” Island 86257 I SPA 00.72 ”A Story Ended” Bronze? NZ 00.72 g/f ”A Story Ended” Bronze YS 2753BZ JAP 00.72 CD ”A Story Ended” + bonus Sequel NEM CD 641 UK 5.93 CD ”A Story Ended” + bonus Sequel CMRC 962 UK 28.06.04 CD ”A Story Ended” + bonus Air AIRAC-1187 JAP 17.04.06 CD ”A Story Ended” + bonus Esoteric ECLEC 2137 UK 29.06.09 With lyric insertYou won’t get any nearer a 4th Colosseum studio album than this. Most of the ex-members were involved with other cohorts – including Graham. He contributes organ and vocals to ”Moses In The Bullrushours”, piano to ”What The Morning Was After” and organ & Moog to ”The Pirate’s Dream” |
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Var. Art. | Probably Olympic Sound Studios, 117 Church Road, London |
Unknown engineer/producer October 1972 2LP g/f "That`ll Be The Day" Ronco MR 2002/3 UK 13.04.73 2 x 8 track "That`ll Be The Day" Ronco UK 00.732 CD "That`ll Be The Day" Ronco TETD 1/2 Bootleg 00.97 EP "Long Live Rock" Ronco MR EP001UK 00.73In the autumn of 1972 MM reported that Graham was asked to write the music score to the "That`ll Be The Day" film. That didn't happened, but he contributed a lot to the final soundtrack. With among others Jack Bruce, Steve Winwood, Jim Capaldi, Pete Townshend, Keith Moon, Ron Wood, Keith Richards, John Hawkins, Billy Fury and Viv Standshall on board, they recorded nearly an album side worth of music. The rest of the album was filled with with original hits from the 50`s The bootleg 2CD include 4 additional tracks - all 50's material The EP includes apart from its title track “Long Live Rock” - “A Thousand Stars”, “It’ll Be Me” and “Slow Down” |
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Camelo Pardalis | Manor Studios, Shipton on Cherwell |
Engineered by Tom Newman and Vic Smith Mixed by Tom Newman, Steve York and Graham Bond Remixed by Tom Newman, Tim Hinkley, Boz Burrell and Ian Wallace Produced by Steve York and Vic Smith Late 1972 "Manor Live" Virgin V 2003 UK 25.05.1973Graham involved in four tracks; "See The Light" (Elkie Brooks/Tim Hinkley) were he contributes organ and "Keep On" (Tim Hinkley), "Male Chauvinist Pig Song" (Steve York/Ollie Halsall) and "Do What You Feel" (Steve York/Mike Patto) where he plays alto sax. Diane Stewart otherwise gets a credit for backing vocals and congas in this cast-of-thousand Steve York organised session |
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The John Dummer Blues Band | Unreleased Vertigo album |
Rockfield Studios, Monmouth farm, Gwent, Wales Engineered by Kingsley Ward Produced by Fritz Fryer 1973 Side 1: “L.A. Lady”, “Sunny Wine Song”, “Short Haulline”, “Reach For Me”, “Goin’ Home”, “Bad Dream” Side 2: “Good Rockin’ Man”, “Undying Love”, “Who’s Foolin’ Who”, “Stealin’ ” , “Keep It In My Mind” John Dummer (percussion, vocals), Dave Kelly (guitar, vocals), Colin Earl (keyboards), Thump Thompson (bass), Pick Withers (drums) and Pete Emery (guitar) augmented with Graham Bond - sax on “Goin’ Home”, “Bad Dream” and “Who’s Foolin’ Who” - organ on “Undying Love” and “Keep It In My Mind” According to Dave Kelly "Graham played really well, beautiful organ and sax" “Goin’ Home” was later re-recorded by Dave Kelly’s then current band The Blues Band - the album itself finally saw a release 35 years late! CD ”The Lost 1973 Album” Angel Air SJPCD 276 UK 00.12.08 |
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